To hear such a title from B-Front and Alpha2 was something I didn’t expect. As soon as I hit play, the sombre intro gave me an indication that this was going to be interesting. In fact, it didn’t disappoint, for what it had to offer gave me an emotional experience.
The majority of the track consists of dark kicks. Its depth and low pitch adds weight to the track and keeps it grounded, allowing it to match the piano and wispy vocal echoes perfectly. The vocals serve a somewhat important purpose despite their muffled and minimal involvement. In fact, its hardly audible quality is what makes this track universal. No matter where you’re from or what language you speak, hearing those vocals sing in that tone instantly evokes a feeling of sadness.
B-Front and Alpha2 maintain a balance between intense impact and soft cries of sorrow, soothing their listeners despite their use of contrasting effects. Although there will be times when you feel lost in a deep sea of troubles, you’ll still find solace from music that conveys your feelings perfectly. I consider this to be one of those tracks.
When I first heard the this song on Unleashed 034 and heard the chorus, I instantly thought of ‘Carol of the Bells‘ and wondered whether Hard Attakk got their inspiration from that piece. After all, even Zatox turned to classical music for ideas and Da Tweekaz certainly didn’t mind snatching a cradle melody. It’s always great when you can find links between different genres. Of course, what’s even more satisfying is knowing that it can be turned into utterly devastating monstrosity.
The kicks for this piece are quite abrupt and the tempo is just a little bit faster than the usual Hardstyle tempo, which is cool for those who have an appetite for fast impact. On top of that, the radio edit wastes no time with bringing its listeners straight into the crux. You can sense the impending evil even when the chorus melody is in its phase of decompression.
What I also love about this track is the way Hard Attakk brings in about three or four different kick variations, featured in brief intervals right before the next breakdown. Each of these are special in their own way, but the track would have been quite messy if the intervals were longer than what they were in the radio edit. In addition, the original kick that was used for this track is charming enough to leave me entranced. This led me to wonder whether the little segments of these kicks were a way of displaying the kick development process: How it evolved into its final, chosen form.
Get dirty, get gritty and get your gabber gear ready. Kick up some dust with this nasty bass and don’t miss out on the fun!
PS – I may be a bit late to the party, but as I always say, better late than never!
On a dark laser night, a set was interrupted by a voice emerging from the very decks that they were playing on. The DJs, intimidated by its commands, started spinning at various speeds. Unsatisfied, the voice threatened them, and that seemed to be just the thing they needed to make things right.
No, this is not based on actual events. The aforementioned paragraph just seemed exactly like the story the track could be telling. I thought of beginning this review with very typical remarks, but felt that they won’t do justice to just how amazing the track was.
My amazement doesn’t just stop with the voice clips. The main attraction – the kicks, are absolute showstoppers. The static noise that pulses and fizzes as it diminishes, the deep bass that doesn’t lose its depth and weight no matter how fast Digital Punk and Adaro manipulate the tempo. Of course, the fizzes become less prominent when they are slightly overpowered by the melody in the climax, but think of that as a variation rather then a letdown. After all, the dark bass and harsh punches are to die for.
‘Whiplashed’ was released on Scantraxx Records on the 2nd of December.
I briefly scratched the surface of some of the more recent Hardstyle releases through both my inbox and YouTube today. That allowed me to find two releases I’d like to mention here: One from D-Block and S-te-fan, and the other from Da Tweekaz and Neilio. The reviews of these tracks will be combined into one post for two reasons: One, because both are considered to be melodic tracks; Two, both of them still manage to make decent tracks just by keeping things simple, which is something I think any budding producer should learn how to master.
Let’s begin with D-Block and S-te-fan’s ‘Higher’. Personally, I felt as if the introduction built up to the climax more slowly than the other Hardstyle tracks I’ve heard. However, this also allowed for any variations that followed to stand out. Specifically, when the low-pitched vocals said “let the music take you higher”, snippets of the ‘er’ syllable get repeated, then tuned into notes that form a melody, merging itself into the rest of the composition. This was followed by alternations between chord notes and notes of the main melody. Very blissful indeed. Unfortunately, the biggest weakness of this release is repetitive lyrics. Catchy and addictive, but repetitive. I would have loved to loop this more if there were better lyrics.
The next track by Da Tweekaz and Neilio, titled ‘Freedom’, is an attempt to make something that Hardstyle lovers can dance to gloriously. I used the word “attempt”, because although I did enjoy the melody, I felt as if the words carry a lot of weight. Those lyrics may be more suited to something rougher or tougher, like Ran-D’s Defqon.1 2015 anthem. However, I didn’t find it difficult to let that slide, because if anything, this track can still make people feel something on the dance floor: It’ll make people want to celebrate. The octaves in the kick-chord-kick-chord alternations sounded like a carnival theme. Combined with a twinkling melody and synth twists, you can’t help but imagine colourful lights flying past your eyes.
If you’re a producer looking for some introduction to the very core of what makes Hardstyle work, but don’t want to dive into the depths of ancient history, these new tracks are certainly worth looking into. ‘Higher’ has been released through Scantraxx Records and ‘Freedom’ from the Dirty Workz label.
Sometimes, no matter how cliche a track might be, it can still strike a chord within your soul. Although Atmozfears’ ‘Release’ shares similarities with other melodic Hardstyle tracks that were recently released, I still had an irresistible urge to play this at work, again and again.
I thought about how I only wrote about Atmozfears a few weeks ago about his incredible raw style, only to be struck by another one of his more emotional creations so soon. Despite its downsides, I suppose I can consider it a guilty pleasure to play this on repeat. Without further ado, I shall now write about the most positive aspects of this track. If you would like to read about its weakness, feel free to refer to my previous review of ‘Our Dreams‘ by Bass Modulators, because both ‘Release’ and ‘Our Dreams’ have the same flaw.
The reason why ‘Release’ sounds so uplifting is not just because of its lyrics and soothing vocals, but also the intervals in the melodies and the way it was mastered. The echoing effect seems to spread across a vast space, which really enhances the ethereal feeling produced by the ascending intervals. Instead of an explosion of anger, this track pops a great big balloon that was inflated with joy. Contrary to dark themes, it reminds its listeners of what it feels like to be on the top of the world.
I only need four words to sum it all up: Exhilarating, exciting, energetic, ethereal. Even if I might get tired of it at some point, I’m glad I enjoyed this at some point of my life.
The melodic sounds of Bass Modulators are sensational and at times, hypnotizing. Their most repeated track on my iPod of all time is their ‘Anthem of Summer’. Even in the coldest winter’s nights, the track can instantly make me think of warm rays of sunlight. Today, I noticed that they were responsible for composing this year’s Dream Village 2015 anthem. After listening to a whole lot of monotonous Hardstyle releases, this certainly gave me some much needed relief.
I adore the free, adventurous and positive theme of this song. The wording of the lyrics were well written and chosen. That is, if you exclude the slight disconnection between the lyrical declaration “I will never ever give you up” and “we’re running wild…”. It really suits the vibe of an outdoor festival, where everyone can dance to their hearts’ content in a huge, grassy field. Definitely worthy of being sung by a huge crowd.
Although their ability to compose wonderful melodies and lyrics does not leave room for much doubt, there was a down side to the track: There were re-used high-pitch notes and synthesising techniques between the vocal parts. All you have to do is compare it to the choruses of Atmozfears’ ‘Release‘ (released a few months before ‘Our Dreams’), Adrenalize’s remix of ‘Starlight‘, and Bass Modulators’ very own ‘Oxygen‘. It even reminded me of Code Black’s releases ‘Starting Over‘ and ‘New World‘.
Is this recycling phenomenon good news for all the DJs who want to link tracks in a set? Are the producers just following a formula of success? Is it just a trend that will pass? Or, if it will pass, how much longer do I have to wait for it to evolve? I don’t know. Maybe, remembering too many details of Hardstyle tracks like this makes me an absolute party pooper. After all, ‘Our Dreams’ is not bad to the point where I’d walk away, so I can still convince myself to enjoy it. Not to mention, I’m sure the people who love getting drunk at festivals all the time won’t even notice, right? Maybe some people would hope so.
When I found out that one of my colleagues liked instrumental Hardcore music and actually found Hardstyle tolerable, I decided to introduce her to raw Hardstyle tracks. Just imagine how much I wished I found out about ‘Never Again’ before the Easter holidays! I certainly would have let her listen to this rare piece of work!
I wasn’t expecting a track like this to come from a producer like Atmozfears at all, since most of the releases I’ve heard from him are euphoric in a joyful way. In this release, the kicks are brutal and very well mastered. The compression and scattering is just spot on. Another interesting thing about this piece is how both the kicks and the stuttering screamo vocals remind me of Hardcore production styles. I’ve never heard such a devillish Hardstyle track in my entire life and that makes it all the more impressive.
The breakdown melody for ‘Never Again’ track is dark and has a somewhat medieval tone, which serves as an unexpected turn or route from the screamo intro. If you ask me, it’d be perfect for Hardstyle fans who are into franchises like ‘Lord of the Rings’ or ‘Game of Thrones’. It really sparks the warrior or knight within you to fight for what you believe in. In fact, this sounds like such an iconic melody that it deserves to be an anthem for a festival with an edgy theme.
As Scantraxx Records have written in the description of the YouTube video for ‘Never Again’, this raw track is a clear demonstration of Atmozfears’ creativity and versatility as a producer. My level of admiration for Atmozfears has increased exponentially. I look forward to hearing more raw tracks from both Atmozfears and Energyzed in the future.