Five-Hours-by-Deorro

Deorro – Five Hours

The original mix. The amazing track that formed the solid foundation; the one that started it all. There are so many beautiful aspects about this track and yet, its simplicity allows me to summarise its greatness in one word: Balance. I love the way this track was mastered.

When you first listen to how Deorro builds up the wobbling sounds, you can hear how it could have gone wrong but didn’t. He could have gone louder and deafened us all, he could have just made that the recurring element of the entire track, but no. Deorro morphs it into something light and bouncy, smoothly, as though it were simply a matter of turningĀ  a single knob. It’s not too sharp, not too high-pitched, not too ear-piercing, just right.

Once the track goes the usual House tempo, Deorro maintains the steadiness of the melody, keeps the pitch just right, and places a layer of vocal snippets on top of the smooth tune. Unlike certain producers who run out of their creativity juices and end up having the same elements repeated excessively, Deorro knows when to put a pause. A smooth instrumental bassline gets introduced, reminiscent of styles in a Daft Punk era. Although it is occasionally modified to create some sort of dribbly bass effect, it remains at the bottom of the layers of sound; the player in the background; the base. There’s no need for it to overtake any element for listeners to appreciate it. In fact, it fits in so nicely with everything else that without it, the track would lose its grooviness.

The original mix of ‘Five Hours’ is ideal for those who want something they can tap to, nod to, or move their shoulders to. A clear glass of sparkling water amongst muddy pools. Chillax and enjoy the ride.

PS – Here’s why I dislike the Chris Brown version: I find it difficult to imagine one element of this song without the other, which is why I think everything else that gets added to it should achieve the same effect. Otherwise, it just wrecks the preestablished consistency and becomes a distraction. I don’t think Chris Brown’s rap doesn’t blend in well, which is why I hardly consider it as an enhancement or necessity to Deorro’s original composition.